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The release

Everything around the song, done properly.

Anyone can get a track onto Spotify. Whether it reaches anyone is decided by everything else — the artwork, the words, the credits, the campaign, the timing. Audora does that work with you, and the delivery is just the last step of it.

A musician at a tidy desk in morning light closing a laptop beside a fully ticked checklistSent · 09:12
Release plan — Slow WeatherOut 04 Sep
Cover art finished
YOURS · FULL COMMERCIAL RIGHTS
Done
Bio & press copy written
THREE LENGTHS · IN YOUR VOICE
Done
Credits & metadata complete
ISRC SE6R42600119 · REGISTERED TO YOU
Done
Campaign built around the date
12 POSTS · TIKTOK, YOUTUBE, INSTAGRAM
Running
Pre-save page live
NEEDS YOUR APPROVAL
You
Delivered to the stores
ONE DELIVERY · EVERYWHERE AT ONCE
14 Aug
Pitch it to Spotify's editors
SPOTIFY ASKS FOR 7+ DAYS · CLOSES 28 AUG
You

A release is a list of things done well.

  • Every release gets the same plan: what's made, what's written, what's scheduled, what's still waiting
  • Some of it is ours to do, some is yours — the list says which, and never lets you guess
  • Nothing ships half-finished: art, copy, credits and campaign are all in place before the date
  • Delivery is one line near the bottom, because by then the work that matters is done

Everything made for the release belongs to you, with full commercial rights.

The weeks before the date are the ones that count.

  • The run-up is where a release is won: people told, pre-saves collected, posts already written
  • Editors need a release in hand before its date to consider it at all — so we build that lead time in rather than rushing it out tomorrow
  • Your campaign is planned against the date, not improvised the week of
  • Out through Sony Music's channel — the route the industry uses, not a self-serve upload

A release is 10 credits from your monthly plan, on any paid plan. Cover art is 5, a press bio is 1 — no annual per-release fee.

Two musicians at a table working through release paperwork under a hand-drawn three-week wall calendarSetting the date · 10:15

Nothing about it half-finished.

A release fails quietly on the small things — a missing credit, art at the wrong size, a genre nobody filed. Your catalog holds all of it, finished and correct, so setting the date is the last step rather than the start of a scramble.

On fileWhat it is
Artist, albums, tracksThe structure of your catalog — singles, EPs and albums all supported
Audio filesYour masters, stored with the release and yours to download
ISRC & UPCThe codes stores use to track the recording and the release — your ISRCs are registered to you
Songwriter & producer creditsWho wrote it and who produced it, delivered with the metadata
Genre, mood & technical detailsWhat platforms need to file the track correctly
Cover artFinal art with your logo placed on it, sized for submission — yours, full commercial rights

We take nothing from your royalties on any plan. If you cancel and we keep your music distributed, we recover only our distribution costs from what it earns — everything above that is still paid to you.

Switching from another distributor.

Moving is less dramatic than it looks when it's done in the right order: deliver here first, take down there second — so your music never goes dark. Because your ISRCs are registered to you, your streams and playlist places carry with the recording, not with the old distributor.

Step-by-step: how to switch distributors without losing streams · DistroKid alternatives · who owns your ISRCs

Asked before applying.

Why does a release take three weeks?

That's the editorial window, not a queue. Spotify's playlist editors need a release delivered ahead of its date to consider it at all — rush it out tomorrow and that chance is gone. We build the timing in and use the run-up for the campaign.

Where will my music be available?

Everywhere that matters — Spotify, Apple Music, YouTube Music, Amazon Music, Tidal, Deezer, Pandora, SoundCloud and the rest, delivered through Sony Music's channel in one go. Distribution is available on paid plans at 10 credits per release.

Who owns what I release?

You do. Your masters stay yours, and every image, bio and piece of cover art you make here is yours with full commercial rights. Releases go out with Audora as the label of record — the name distribution requires in the metadata, nothing more. Your ISRCs are registered to you, so your streams and playlists move with you if you ever leave.

When do I get paid?

Streams earn royalties on each platform's own reporting schedule — typically a few months behind the streams themselves — and are paid out under the distribution terms. We take nothing from your royalties on any plan. If you cancel and we keep your music distributed, we recover only our distribution costs from what it earns — everything above that is still paid to you.

What does the Sony Music channel mean for me?

Your release is delivered to the platforms through Sony Music's distribution channel — the route the industry uses, not a self-serve upload. Beyond delivery: We watch what's performing — and pitch our best artists to the team at Sony. The route itself is explained in Sony Music distribution, explained.

What we owe you, in writing →

Apply

Your music gets heard before you get assessed.

We're on your side of the table. Apply with a track and a few lines about what you're making — you hear back within one business day.

Apply for accessWhat we owe you

Limited by how many artists we can look after.

Audora

How an independent artist reaches out — to listeners, to the platforms, and to the industry.

© 2026 Audora — part of Metalmedia Group, Gothenburg, in the business since 2016. Label of record, nothing more: the music stays yours.